Cheetos are a color that I'm pretty sure does not exist in nature and when applied to an heirloom quilt will not come out easily, but my friend, Mena, didn't even try. She just left her child's fully formed handprint to be fossilized into the threads of the fabric forever. As she was explaining her logic (why wash out the stain when it could stay there displayed on the wall with the quilt as an addition to the memento) it hit me how cool that was. She was killing a flock of birds with the one stone: memorializing a child's moment in time, being extremely visually funny AND replacing plaster of Paris! Mainly though, she was memory keeping and that I salute.
Isn't that why we go through the anguish of hunting and gathering each family member to get that family photo? So that for one moment in time, if the planets are aligned just right, we can get everyone in the same room, semi-clean, maybe happy, but at least smiling, and looking at the camera--all at the same shutter speed time with eyes 100% open? Given the odds, it is a bit of a miracle.
Looking at the posed and unposed moments caught on film have helped me through many a dark day. In the movie Limitless, Bradley Cooper's character becomes addicted to a cutting edge pharmaceutical that allows him to see things (ideas, connections, projections, trends, patterns, people) in amazing clarity. Suddenly, the film's lighting brightens and the blue in his eyes intensifies--- we know his brain is now operating at full capacity rather than our everyday 10%. That's exactly how I feel when I look at our family's photos. It is like all of the extraneous nonsense falls away and everything becomes clear. My brain seems to operate at a definite higher level. The good, the bad, and the grey is more defined and the thousand words that the picture replaces cut to the core of why we moms do what we do day in and day out for the sake of our families.
Then of course, there is "the rest of the story" after the photo was taken. Like when Christian fell off the table we were posing on during our Christmas photo shoot. We would forever after tell him,"Five seconds after that shot, you were screaming and bleeding, on your way to the ER, but hey, great shot!"
Two years later, same annual Christmas shot: me, nine months pregnant as Mary, Victoria as a put-out shepherd, Christian with his lambie blanket as a mischievous lamb, Scott as a real bearded Joseph and unborn Joshua as unborn Jesus, complete with hay and a wooden bed loft disguised as a stable. Fast forward to after the shoot: Victoria swinging on the stable, Christian pulling on her legs, an unfortunate fall, and more stitches, this time, Victoria. Yeah, Christmas can be bloody at our house.
Tonight, all three boys burst into my room. I knew they were up to no good, but when they ask with such enthusiasm if they can photograph me.....Tip of the day: don't go anywhere near your kids who laugh maniacally and have just discovered a phone camera app called "Fat Booth."
It's the memory-keeping though, (once I delete that phone app) that clarifies and brings into focus the important stuff, even though getting that photo can feel like a tactical and logistical nightmare.
The last photo we were able to take of all of our children before our youngest died in an accident, was by far the most difficult, painstaking photo ordeal. But something kept nudging me to get it done, to do whatever it took. The day started out normal, but as we got closer to the appointment time, moods were flaring; tension was high. At the actual shoot, he-who-shall-not-be-named, kept timing jokes with the camera shutter, so that instead of smiles, we had people cracking up, looking off camera. It was a photographer's nightmare right up there with wedding guests' drunken half-closed eyes.
I was so upset with it all, that everyone was sent to time out in the van to wait there while the photographer checked out the proofs. Fifteen minutes later, she informed me that none of the photos (and she had taken a LOT) had all five children looking at the camera, smiling. Really? Really. Not one? Well, maybe one, but it would have a weird streak down the middle of the shot. "Photoshop, no problem," I am thinking----emotions so high, tears so near the surface, anything, any shot, we can salvage, please, please. Again, no idea why this image was so important. The initial impetus was to get a cute and loving photo for Father's Day, nothing else. Oh, did I mention that meanwhile, one of the children decided to not go to the van, and took off, whom I searched for and eventually found sulking in the mall.
During my search, the photographer took pity on my pathetic attempt to control my emotions, and printed up the only the image that was salvageable, what was sure to be a streaked image from what she showed me on the negative.
But when she handed us the final image a thirty minutes later, it was streak-free, with smiles from all five, right into the camera lens---the last photo all five would take together. To me, it was the Holy Grail of photos---so worth the quest in that moment, even not knowing how truly priceless that image would become for our family. Some awful days are like that...so worth the effort to memorialize, whether it is saving Cheeto hands or memorializing each child in one beautiful moment of clarity.